SANYO VCC-6572P, COLOUR VIDEO CAMERA
WHAT OUR EXPERTS SAY...
Up until a few years ago improvements in colour camera resolution used to
occur on a fairly regular basis. However, following the appearance of
realistically priced single chip colour cameras with the capability to resolve
400 or more lines things seems to have slowed down. Over the past couple of
years the numbers have crept up and 470-line colour cameras are not anywhere
near as rare or expensive as they once used to be but little apparent progress
seems to have been made since then.
Clearly manufacturers can keep on expanding the CCD image sensor chip
resolution envelope until the cows come home but we seem to have reached a
natural plateau, possibly as a result of camera technology outpacing recording
systems ability to record fine detail, and to a lesser extent the cost of
high-performance colour monitors capable of displaying high-resolution images.
The arrival of the Sanyo VCC-6572 suggests that things could be on the
move once again, and this inauspicious looking little camera has a claimed
resolution of some 520-lines. That kind of performance – previously only
available on serious and often very specialised high-end imaging devices -- begs the questions: who needs it, and how
can you make use of it? On going developments in other areas of the industry
almost certainly provide the answers. Firstly, the price of higher resolution
CCD image sensors continues to fall to the point where it costs little or
nothing extra to achieve 520-line performance. Secondly, and probably more
significantly, devices that can record a 520-line image are becoming more
readily available in the form of hard-disc and PC-based systems, digital VCRs
and now recordable DVD.
From the outside it's not much to look at, surprisingly ordinary in fact
considering that this is a cutting-edge product. The overall dimensions
(excluding lens and mounting bracket) are 109 x 56 x 45mm and it weighs in at
310g (also without a kens) The feature list is also fairly sparse, the key
points are that 520-line resolution figure, which is courtesy of a 1/3-inch
470k pixel interline CCD. Minimum low light sensitivity is just 1.0 lux ((F1.2)
and picture noise is an impressive 48dB. Extensive use has been made of digital
signal processing circuitry to automate exposure under a very wide range of
conditions, however it does have a handful of manual functions. These include a
variable speed shutter (1/50th to 1/10000th sec in 8 steps), aperture
compensation (sharp or normal), backlight compensation and white balance.
Additionally the camera can be configured for automatic iris or video/DC
controlled auto iris lenses and internal or external synchronisation.
Adjustments are made from a 10-way miniature DIP switch that is hidden behind a
removable panel on the right side of the camera body.
At the front there's a standard CS mounting collar moulded into the ABS
front panel. Two formed steel panels, top and bottom complete the casework and
the rear panel is part of the internal steel chassis. On the back there are two
BNC sockets for video out and external sync, a 5-pin mini SIN socket carries
the Y/C S-Video output, a single red power-on LED and a spring terminal for the
12 volt DC supply. The only other features of note on the outside are a 4-pin
auto iris socket on the right side and pair of screws for back-focus adjustment
and lock on the left side.
Inside it's quite crowded with two large PCBs top and bottom – these
handle video processing and power supply regulation – plus two smaller PCBs,
one for the CCD image sensor and support components. The other, mounted
sideways on, is for the DIP switch and trim pots for setting white balance,
external sync phase and auto iris lens level adjustment. Build quality appears
to be very good indeed wiring is kept to an absolute minimum and the
construction is very solid. The case is not weatherproof but it should afford
the internals very good protection against mechanical shock.
SETUP AND OPERATION
Apart from the mechanical back-focus adjustments the camera can be left
pretty much to its own devices in most situations. However, should the need for
manual intervention arise the DIP switch and trim pots are all reasonably
accessible, though the little screw that holds the access panel in place is
microscopic and easily lost. The only setting that might occupy you for more
than a couple of minutes is backlight compensation. The camera has two separate
modes, multi-spot photometry and centre-focus photometry. In the 'multi' mode
the screen is divided into 64 zones and backlight compensation is applied to
the whole screen area. In the 'centre' mode compensation is only applied to the
central portion of the image. White balance is normally best left to the
electronic minions; however, in difficult lighting conditions the relative red
and blue levels can be tweaked. The mounting bracket can be attached to the top
or bottom panels and
If camera resolution increases much further we may have to start
re-thinking our test procedures and equipment… However we were able to
ascertain that the our sample VCC-6572 was indeed able to resolve a little in
excess of 500-lines, producing a pin-sharp image that in good light has almost
insignificant amounts of picture noise. It looks really clean and colours are
crisp, very well defined and very natural looking in daylight lighting
conditions. The exposure and auto white balance systems are both reasonably
responsive and it copes well with sudden and gradual changes in lighting level
and lighting mixtures, in any event we felt there was no need to make any
manual adjustments. The image is rock solid nor did it waver when the case was
treated to a few hefty thwacks with the highly scientific Bench Test rubber
The application of a high-performance image sensor in what would
otherwise be a fairly ordinary colour camera marks another small but important
step forward for video surveillance technology. Whilst there is only a
relatively small market for such products at the moment it is clear that there
is a growing demand for ever higher resolutions, which until now has only been
available at prohibitive cost, or rendered almost useless by analogue video
recording equipment's inability to capture the fine detail. Now that digital
video recording systems are starting to have an impact we can expect to see a
lot more cameras like this one.
Design and design features ****
Circuitry and components *****
Ease of installation and wiring *****
Range and variety of functions ****
Accompanying instructions ****
Technical advice and backup ??
Value for money ??
ã R. Maybury